The magazine will not be shipped before June 19, 2018
In the 17th issue of zweikommasieben something that has been apparent from the beginning of the magazine—whose credo is to study the present—only seems increasingly true: in the supposed present, temporalities overlap and intersect. They burst out, reaching at once backwards and forwards.
The magazine features interviews with John Maus about the six years between the release of his last two albums, with Anna Sagström and Daniel Iinatti of Country Music discussing accelerationist force of globalization or with Alessandro Cortini on the private retrospective of 1970s Italy in Avanti. In those conversations the nature of time shows itself as enigmatic, fragmented and displaced.
On top, this issue features interviews with Anna Homler, Errorsmith, Further Reductions, Gabber Eleganza, Jasss, Ossia, Peter Rehberg and Renick Bell; conversations with Russell Haswell and between Christoph Fringeli, Simon Crab and Nigel Ayers; a portrait on Mmodemm; an essay by DeForrest Brown Jr.; columns on gender in dancehall (“Basslines”), authenticity of field recordings (“Track Down Fiction”), pictures from Georg Gatsas (“We Are Time”) as well as poetry with “Sound Texts”; and contributions by Angoisse, Ipek Gorung & Ceramic TL and Jay Glass Dubs.
In zweikommasieben #17, the nature of time also shows itself in the design—a design initially looking for an aesthetic of speed but ultimately as much a reflection of pausing as of deceleration and acceleration. And in this attempt to give form to time, there’s also the primordial-musical moment.
Co-published with Motto Books.
Size: 240 x 312mm
Release date: June 13, 2018
zweikommasieben is a Swiss magazine that has been devoted to the documentation of contemporary music and sounds since the summer of 2011. The magazine features artist interviews, essays and columns as well as photography, illustration and graphics. In addition, zweikommasieben organizes concerts, parties, club nights, matinees, raves and other fun events in various cities.